{"id":2137,"date":"2025-03-11T18:55:51","date_gmt":"2025-03-11T17:55:51","guid":{"rendered":"https:\/\/edu.ge.ch\/site\/pipas\/?page_id=2137"},"modified":"2025-09-04T18:30:48","modified_gmt":"2025-09-04T16:30:48","slug":"pipas-2024","status":"publish","type":"page","link":"https:\/\/edu.ge.ch\/site\/pipas\/archives\/pipas-2024\/","title":{"rendered":"PIPAS 2024 – Le Quotidien est Ailleurs"},"content":{"rendered":"
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\n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>
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PIPAS
\nBiennale de photographie<\/strong><\/p>\n<\/div>\n<\/div><\/div><\/div>

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2em<\/sup>\u00a0\u00e9dition<\/strong>
\nLe Quotidien est Ailleurs<\/strong><\/p>\n<\/div>\n<\/div><\/div><\/div>

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14\u201324 mai 24<\/strong>
\nVernissage 14 mai 24<\/strong><\/p>\n<\/div>\n<\/div><\/div><\/div>

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Centre de la Photographie Gen\u00e8ve<\/strong>
\n+ \u00c9coquartier Jonction<\/strong><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

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\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\u00abLe quotidien est ailleurs\u00bb
\n14 \u2013 26 mai 24<\/strong><\/h2>\n

Une phrase volontairement \u00e9nigmatique, po\u00e9tique, pour que chacun puisse l\u2019interpr\u00e9ter, se l\u2019approprier tr\u00e8s librement. Quotidien, ailleurs, deux mots destin\u00e9s \u00e0 guider ou ouvrir des horizons.<\/strong><\/p>\n

Le quotidien, cela peut \u00eatre les gestes, ce qui se r\u00e9p\u00e8te, ce dont on n\u2019a m\u00eame plus conscience, une r\u00e9alit\u00e9 de tous les jours que l\u2019on ne voit m\u00eame plus. L\u2019ailleurs peut \u00eatre ce qui est lointain, diff\u00e9rent, en dehors, \u00e9tranger, peut-\u00eatre m\u00eame \u00e9trange. Les deux mots peuvent se m\u00ealer, prendre le sens que chacun voudra.<\/p>\n

Tout simplement, le quotidien peut aussi \u00eatre ce qui est photographi\u00e9, et l\u2019ailleurs ce que l\u2019auteur de la photographie veut donner \u00e0 voir quand il prend son clich\u00e9. Son regard.
\nDerri\u00e8re cette expression ouverte, la volont\u00e9 de Pipas d\u2019explorer les multiples rapports de la photographie au r\u00e9el. La photographie semble n\u2019\u00eatre qu\u2019une captation du r\u00e9el, elle est en r\u00e9alit\u00e9, on le sait, toujours le r\u00e9sultat d\u2019un choix, un geste cr\u00e9atif.<\/p>\n

C\u2019est ce geste cr\u00e9atif que la th\u00e9matique 2024 veut susciter.<\/p>\n<\/div>\n<\/div><\/div>

\n\t\t\t\n\t\t\n\t\t\t\n\t\t\tVoir le programme\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div><\/div><\/div>
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Ma. 14 mai 24
\n<\/b>Vernissage des expositions<\/h2>\n

\"\"<\/p>\n<\/div>\n<\/div><\/div>

\n\t\t\t\n\t\t\n\t\t\t\n\t\t\tVoir les photos du vernissage\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div><\/div>
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Des formations
\npour le personnel enseignant<\/h2>\n
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Durant la Biennale, des formations
\nont \u00e9t\u00e9 propos\u00e9es aux le personnel enseignant.<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>

\n\t\t\t\n\t\t\n\t\t\t\n\t\t\tVoir les formations\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>
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Un projet en deux temps<\/h3>\n
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Le projet s\u2019\u00e9labore en deux temps\u00a0: d\u00e8s la rentr\u00e9e la pr\u00e9paration, puis en mai la Biennale proprement dite.<\/strong><\/p>\n

De septembre \u00e0 mai, les \u00e9l\u00e8ves sont mis face \u00e0 des images, ils sont amen\u00e9s \u00e0 les lire, les d\u00e9coder, mais aussi et surtout \u00e0 en cr\u00e9er.
\nPour cela, ils travaillent avec des photographes professionnels et\/ou leurs enseignants. Ceux-ci peuvent s\u2019appuyer, s\u2019ils le souhaitent, sur des formations sp\u00e9cifiques mises sur pied par le SEM<\/a>.<\/p>\n

En mai, un \u00e9v\u00e9nement, la Biennale Pipas, met en valeur les r\u00e9alisations des \u00e9l\u00e8ves, leur regard sur le monde\u00a0: leurs travaux photographiques sont expos\u00e9s \u00e0 l\u2019Ecoquartier Jonction ainsi qu\u2019au Centre de la Photographie \u2013 Gen\u00e8ve.
\nLes classes du canton (du primaire au secondaire II), ainsi que le public, sont convi\u00e9s \u00e0 venir les d\u00e9couvrir.
\nDiverses activit\u00e9s sont par ailleurs propos\u00e9es.\u00a0 Aux classes :\u00a0 ateliers photo et visite en compagnie de photographes, visites comment\u00e9es. Aux enseignants en priorit\u00e9, mais ouvertes au public, des conf\u00e9rences de photographes en lien avec divers aspects de la Biennale.<\/p>\n

Les photographes professionnels de l\u2019\u00e9dition 23-24\u00a0:<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>

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Niels Ackermann,<\/a>
\nZo\u00e9 Aubry,<\/a>
\nRebecca Bowring,<\/a>
\nYann Haeberlin,<\/a>
\nAndreas Kressig,<\/a>
\nElisa Larvego,<\/a>
\nNicolas Lieber,<\/a>
\nChristophe Rey<\/a>,
\nDoroth\u00e9e Th\u00e9bert,<\/a>
\nAnastasia Mityukova<\/span><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div>

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\"\"<\/p>\n

Centre de la photographie - Gen\u00e8ve<\/h3>\n

Rue des Bains 28, Gen\u00e8ve (exposition ouverte d\u00e8s le vernissage, le 14 mai \u00e0 18h)
\n<\/em><\/p>\n<\/div>\n<\/div><\/div>

\n\t\t\t\n\t\t\n\t\t\t\n\t\t\tVoir les photos de l'exposition\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div><\/div>
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EP Belle-Terre, 8P,<\/strong>
\nclasse de Julie Cousin<\/p>\n

EP Cit\u00e9-Jonction, 8P,<\/strong>
\nclasse d\u2019Alexandra Yildiz et V\u00e9ronique Ischer-Russo<\/p>\n

EP Libellules, 8P,<\/strong>
\nclasse de Qlirim Bilalli et Angelo Curreri<\/p>\n

CO Coudriers, 932,<\/strong>
\nclasse de Cyril Jornod<\/p>\n

CO Coudriers, classe d\u2019accueil 1155,<\/strong>
\nclasse de Rossella Mezzina<\/p>\n

CO Foron, 1111 CT,<\/strong>
\nclasse de Yuri Schranz et Julien Mouron<\/p>\n

\u00c9cole Joseph Ki-Zerbo II, Bobo-Dioulasso, BFA,<\/strong>
\nclasse de Banick Traore<\/p>\n

Acces II, 117,<\/strong>
\nclasse de S\u00e9verine Deskeuvre et Javier Rodr\u00edguez Trautnitz<\/p>\n

Acces II c\/o<\/strong>
\nCEC Andre-Chavanne,<\/strong>
\nclasse de Perrine Magnenat Wyss et Fanny Balmer<\/p>\n

Acces II c\/o<\/strong>
\nColl\u00e8ge de Candolle, 221,<\/strong>
\nclasse de Heidi Roethlin Robel et Delphine Dubuis Sa\u00efdji<\/p>\n

CECG Madame de Sta\u00ebl,<\/strong>
\nPr\u00e9paratoire PR01,<\/strong>
\nclasse de Fabienne Payre<\/span><\/p>\n

Centre de formation professionnelle \u00e0 la pratique commerciale (CFPPC),<\/strong>
\nclasse de Barbara Ang\u00e8le Vouilloz, Kuleni Berhanu, Besiana Berisha, Fr\u00e9d\u00e9ric Dumonal, Anya Ensmann Marx, Tristan Pfund et Beno\u00eet Stolz<\/p>\n

Coll\u00e8ge Clapar\u00e8de, 2e<\/sup> OS Arts,<\/strong>
\nclasse de Audrey Azar et Naima Pollet<\/p>\n

Coll\u00e8ge Rousseau, 3e<\/sup> OS Arts,<\/strong>
\nclasse de Nicolas Fournier<\/p>\n

Coll\u00e8ge Voltaire, 3e<\/sup> OS Arts<\/strong>,
\nclasse de Bernard Tullen<\/p>\n

ECCG Aim\u00e9e-Stitelmann, 2MP1.02,<\/strong>
\nclasse de Renaud Christin<\/p>\n

ECG Jean-Piaget, 3e<\/sup>\u00a0OS Arts et Design,<\/strong>
\nclasse de Delphine Depres<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

\n
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\"\"<\/p>\n

\u00c9coquartier Jonction<\/h3>\n

Ch. du 23-Ao\u00fbt, Gen\u00e8ve<\/p>\n<\/div>\n<\/div><\/div>

\n\t\t\t\n\t\t\n\t\t\t\n\t\t\tVoir les photos de l'exposition\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div><\/div>
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EP Chandieu, 8P,<\/strong>
\nclasse de Ga\u00eblle Deneuvy et C\u00e9line Mittey<\/p>\n

EP Liotard, 7P,<\/strong>
\nclasse de Cristiana Borges<\/p>\n

EP Onex-Parc, 6P,<\/strong>
\nclasse d\u2019Ana\u00efs Aik<\/p>\n

EP S\u00e9cheron, 6P,<\/strong>
\nclasse de Johanna Martins<\/p>\n

EP V\u00e9senaz, 8P,<\/strong>
\nclasse de Pauline Cordier et Mme Tuveri<\/p>\n

CO Aub\u00e9pine, 1123 LC,<\/strong>
\nclasse de Loucine Dessingyet M\u00e9lodie Hanne<\/p>\n

CO Aub\u00e9pine, 1134 LS,<\/strong>
\nclasse de Rapha\u00ebl Grange et Carolane Spiteri<\/p>\n

CO Aub\u00e9pine, 1134 LS,<\/strong>
\nclasse de Rapha\u00ebl Grange<\/p>\n

CO Bud\u00e9, 1034 LS,<\/strong>
\nclasse de Nicolina Piscitelli, Patula Abdulle, Oryana Nurock<\/p>\n

CO Colombi\u00e8res, 1111 CT,<\/strong>
\nclasse de Antoine Montessuit et Nicole Simon-Seramondi<\/p>\n

CO Coudriers, 912 R1,<\/strong>
\nclasse de Nora Hars et Savas Yilmaz<\/p>\n

CO Drize, 1137,<\/strong>
\nclasse de Aline Gaillet<\/p>\n

CO Golette, 1151,<\/strong>
\nclasse de Dominique Theiler<\/p>\n

CO Grandes-Communes, 921 R2<\/strong>
\nclasse de Laurence Tournier et Nicolas Gattoni<\/p>\n

Acces II, 217,<\/strong>
\nclasse de Jean-Philippe Pettinotto<\/p>\n

Acces II, COP 219,<\/strong>
\nclasse de Jean-Philippe Pettinotto<\/p>\n

CECG Madame de Sta\u00ebl, Pr\u00e9paratoire PR02,<\/strong>
\nclasse de Sonia Ferre Blandin<\/p>\n

CEC Andr\u00e9-Chavanne, 3e <\/sup>OC photo num\u00e9rique<\/strong>
\nclasse de Fanny Balmer<\/p>\n

Centre de formation professionnelle technique (CFPT), MP2<\/strong>
\nclasse de Heike Pfannenstiel<\/p>\n

Centre de formation professionnelle Arts (CFP Arts), CFC2,<\/strong>
\nclasse de Anne Von\u00e8che<\/p>\n

Coll\u00e8ge de Saussure, 3e<\/sup> OC G\u00e9ographie,<\/strong>
\nclasse de Carol Berger et Carole Guitton<\/p>\n

Coll\u00e8ge Clapar\u00e8de, 1re<\/sup> OS Arts 02,<\/strong>
\nclasse de Audrey Azar<\/p>\n

Coll\u00e8ge de Saussure, 2e <\/sup>DF Arts 02 et 2e <\/sup>DF Arts 04,<\/strong>
\nclasse de Jeanne Macheret<\/p>\n

Coll\u00e8ge Clapar\u00e8de, 2e <\/sup>OS Arts,<\/strong>
\nclasse de Audrey Azar et Naima Pollet<\/p>\n

Coll\u00e8ge Clapar\u00e8de, 3e <\/sup>OS HA 01,<\/strong>
\nclasse de Linda Di Mare<\/p>\n

ECFP Conches, 1re <\/sup>ann\u00e9e,<\/strong>
\nclasse de Nikola Smatlik<\/p>\n

ECPS Pl\u00e9iades, 7-8P,<\/strong>
\nclasse de Nikola Smatlik<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>

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\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>

Identit\u00e9 visuelle<\/h3>\n
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\"\"<\/p>\n

L'identit\u00e9 visuelle de l'\u00e9dition 2024 \u2013 Le Quotidien est Ailleurs \u2013a \u00e9t\u00e9 r\u00e9alis\u00e9e par Camille Marquis, \u00e9l\u00e8ve CFP-Arts Gen\u00e8ve<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div>

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\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

PIPAS Biennale de photographie 2em\u00a0\u00e9dition Le Quotidien est Ailleurs 14\u201324 mai 24 Vernissage 14 mai 24 Centre de la Photographie Gen\u00e8ve + \u00c9coquartier Jonction<\/p>\n","protected":false},"author":7594,"featured_media":0,"parent":1810,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2137","page","type-page","status-publish","hentry"],"yoast_head":"\nPIPAS 2024 - Le Quotidien est Ailleurs - Biennale PIPAS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/edu.ge.ch\/site\/pipas\/archives\/pipas-2024\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PIPAS 2024 - Le Quotidien est Ailleurs - Biennale PIPAS\" \/>\n<meta property=\"og:description\" content=\"PIPAS Biennale de photographie 2em\u00a0\u00e9dition Le Quotidien est Ailleurs 14\u201324 mai 24 Vernissage 14 mai 24 Centre de la Photographie Gen\u00e8ve + \u00c9coquartier Jonction\" \/>\n<meta property=\"og:url\" content=\"https:\/\/edu.ge.ch\/site\/pipas\/archives\/pipas-2024\/\" \/>\n<meta property=\"og:site_name\" content=\"Biennale PIPAS\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-04T16:30:48+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/edu.ge.ch\/site\/pipas\/wp-content\/uploads\/sites\/255\/2024\/02\/vernissage-pipas-2-300x200.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/edu.ge.ch\\\/site\\\/pipas\\\/archives\\\/pipas-2024\\\/\",\"url\":\"https:\\\/\\\/edu.ge.ch\\\/site\\\/pipas\\\/archives\\\/pipas-2024\\\/\",\"name\":\"PIPAS 2024 - 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