{"id":853,"date":"2015-10-09T15:20:49","date_gmt":"2015-10-09T14:20:49","guid":{"rendered":"https:\/\/edu.ge.ch\/site\/plancinema\/?page_id=853"},"modified":"2015-10-09T15:20:49","modified_gmt":"2015-10-09T14:20:49","slug":"853-2","status":"publish","type":"page","link":"https:\/\/edu.ge.ch\/site\/agora-stael\/filmar-2015\/films-en-ligne\/853-2\/","title":{"rendered":"Raices, Benito Alazraki"},"content":{"rendered":"<p>De Benito Alazraki, 1954<\/p>\n<p>(Voir\u00a0<em>Les Cin\u00e9mas d&rsquo;Am\u00e9rique latine<\/em>, p. 381) \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 (0:30 &#8211; 1:40)<\/p>\n<p><iframe loading=\"lazy\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/dWhXQwHVnmo?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><a href=\"https:\/\/edu.ge.ch\/site\/plancinema\/wp-content\/uploads\/sites\/37\/2015\/10\/Raices.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-868\" src=\"https:\/\/edu.ge.ch\/site\/plancinema\/wp-content\/uploads\/sites\/37\/2015\/10\/Raices-224x300.jpg\" alt=\"Raices\" width=\"224\" height=\"300\" \/><\/a><\/p>\n<p>El film adapta cuatro cuentos ind\u00edgenas seleccionados del libro de Francisco Rojas Gonz\u00e1lez titulado\u00a0<i>El diosero\u00a0<\/i>y los temas centrales que desarrolla se vinculan al enfrentamiento (violento y contradictorio) entre la civilizaci\u00f3n occidental moderna y el mundo ind\u00edgena\u00a0tradicional. El film, por estos rasgos sem\u00e1nticos y por sus caracter\u00edsticas textuales forma parte de una tendencia-g\u00e9nero latinoamericano, el drama indigenista, productivo en varios pa\u00edses de la regi\u00f3n (Argentina, Brasil y M\u00e9xico, especialmente).<\/p>\n<p>(&#8230;)<\/p>\n<div><u>Episodio 1: Las vacas<\/u>\u00a0(sucede en el Valle del Mezquital)<\/div>\n<div>Debido a la extrema situaci\u00f3n de pobreza, una madre india vende su leche a una pareja citadina a cambio de dinero con el cual mantendr\u00e1 a su hija de pocos meses y a su esposo.<\/div>\n<div>La puesta en escena asume car\u00e1cter expresivo. El paisaje amplio, la presencia de elementos significantes (rancho, pocos animales de corral, sonido exacerbado del viento, escasez de di\u00e1logo), retratan la pobreza y el aislamiento de una familia y de todo un pueblo, refiriendo a la iconograf\u00eda y la puesta en escena propia del drama indigena y folcl\u00f3rico latinoamericano. La puesta en escena se caracteriza por el ascetismo, el despojamiento y el estatismo. El contrapunto entre el mundo ind\u00edgena y el mundo occidental actual se establece mediante el sistema de personajes (prototipos femeninos y masculinos contrastantes e irreconciliables), que apela a representaciones estandarizas por el cine cl\u00e1sico (mujer rubia\/mujer de piel oscura; traje moderno\/traje t\u00edpico), y con la irrupci\u00f3n de un elemento simb\u00f3lico (el auto descapotable) que representa la modernidad y el progreso, y que contratsta visualmente con otro elemento simb\u00f3lico (la leche, asociada a la madre tierra y la supervivencia). La presencia de esos personajes citadinos y de su auto provocan una alteraci\u00f3n en el sistema de la puesta en escena, sum\u00e1ndose a este quiebre un motivo musical relativamente disonante.<\/div>\n<div><\/div>\n<div>\n<p><a href=\"http:\/\/www.ciyne.com.ar\/ra%C3%ADces-benito-alazraki-1954-drama-indigenista-de-transici\u00f3n-por-ana-laura-lusnich\">Article<\/a>\u00a0de\u00a0<b>CIyNE<\/b><\/p>\n<div>Centro de Investigaci\u00f3n y Nuevos Estudios sobre Cine<\/div>\n<div>\u00a0<em>Instituto de Historia del Arte Argentino y Latinoamericano,<\/em><em>Facultad de Filosof\u00eda y Letras,\u00a0<\/em><em>Universidad de Buenos Aires<\/em><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>De Benito Alazraki, 1954 (Voir\u00a0Les Cin\u00e9mas d&rsquo;Am\u00e9rique latine, p. 381) \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 (0:30 &#8211; 1:40) El film adapta cuatro cuentos ind\u00edgenas seleccionados del libro de Francisco Rojas Gonz\u00e1lez titulado\u00a0El diosero\u00a0y &#8230; <a title=\"Raices, Benito Alazraki\" class=\"read-more\" href=\"https:\/\/edu.ge.ch\/site\/agora-stael\/filmar-2015\/films-en-ligne\/853-2\/\" aria-label=\"En savoir plus sur Raices, Benito Alazraki\">Lire la suite<\/a><\/p>\n","protected":false},"author":7594,"featured_media":0,"parent":772,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-853","page","type-page","status-publish"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Raices, Benito Alazraki - Agora Sta\u00ebl<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/edu.ge.ch\/site\/agora-stael\/filmar-2015\/films-en-ligne\/853-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Raices, Benito Alazraki - Agora Sta\u00ebl\" \/>\n<meta property=\"og:description\" content=\"De Benito Alazraki, 1954 (Voir\u00a0Les Cin\u00e9mas d&rsquo;Am\u00e9rique latine, p. 381) \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 (0:30 &#8211; 1:40) El film adapta cuatro cuentos ind\u00edgenas seleccionados del libro de Francisco Rojas Gonz\u00e1lez titulado\u00a0El diosero\u00a0y ... 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