{"id":1920,"date":"2016-08-19T20:53:35","date_gmt":"2016-08-19T19:53:35","guid":{"rendered":"https:\/\/edu.ge.ch\/site\/plancinema\/?page_id=1920"},"modified":"2025-11-11T14:57:46","modified_gmt":"2025-11-11T13:57:46","slug":"histoire-politique-cinema","status":"publish","type":"page","link":"https:\/\/edu.ge.ch\/site\/agora-stael\/histoire\/histoire-et-cinema\/histoire-politique-cinema\/","title":{"rendered":"Histoire et Cin\u00e9ma &#8211; extraits de films"},"content":{"rendered":"<p>Ces vid\u00e9os et ces images viennent ajouter quelques exemples \u00e0 un cours sur l&rsquo;Histoire et le Cin\u00e9ma.<\/p>\n<p>&nbsp;<\/p>\n<p>D.W. Griffith: <em>Birth of a nation\u00a0<\/em>(1916)<\/p>\n<p><a href=\"https:\/\/edu.ge.ch\/site\/plancinema\/wp-content\/uploads\/sites\/37\/2016\/08\/150313_BirthNation_blackface.jpg.CROP_.original-original.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1936 aligncenter\" src=\"https:\/\/edu.ge.ch\/site\/plancinema\/wp-content\/uploads\/sites\/37\/2016\/08\/150313_BirthNation_blackface.jpg.CROP_.original-original-300x197.jpg\" alt=\"Actors costumed in the full regalia of the Ku Klux Klan chase down a white actor in blackface in a still from 'The Birth of a Nation,' the first feature-length film, directed by D. W. Griffith, California, 1914.\" width=\"300\" height=\"197\" \/><\/a><\/p>\n<p><em>Birth of a (racist) nation \u00a0<\/em>by Cultureremix1:<\/p>\n<p><iframe loading=\"lazy\" title=\"Birth of a RACIST NATION\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/AiqXgP86YKA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/edu.ge.ch\/site\/plancinema\/wp-content\/uploads\/sites\/37\/2016\/08\/birth-of-a-nation-trailer-640x264.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1933\" src=\"https:\/\/edu.ge.ch\/site\/plancinema\/wp-content\/uploads\/sites\/37\/2016\/08\/birth-of-a-nation-trailer-640x264-300x124.png\" alt=\"birth-of-a-nation-trailer-640x264\" width=\"300\" height=\"124\" \/><\/a><\/p>\n<p style=\"text-align: center\"><em>Birth of a nation,\u00a0<\/em>version de 2016.\u00a0Acteur et r\u00e9alisateur: Nate Parker<\/p>\n<p><iframe loading=\"lazy\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/Ln_hpp5k_uo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>La Premi\u00e8re Guerre mondiale:<\/p>\n<p><i>L&rsquo;H\u00e9ro\u00efque Cin\u00e9matographe\u00a0<\/i>R\u00e9al\u00a0: Agn\u00e8s de Sacy,\u00a0Laurent Veray \u00a0(Arte 2005)<\/p>\n<p><iframe loading=\"lazy\" title=\"L&#039;h\u00e9ro\u00efque cin\u00e9matographe _ un film de Laurent V\u00e9ray &amp; Agn\u00e8s de Sacy\" src=\"https:\/\/player.vimeo.com\/video\/44329894?dnt=1&amp;app_id=122963\" width=\"768\" height=\"576\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/p>\n<p><a href=\"https:\/\/www.lemonde.fr\/centenaire-14-18\/video\/2018\/11\/09\/pourquoi-certaines-archives-de-la-premiere-guerre-mondiale-sont-des-mises-en-scene_5381198_3448834.html\">Pourquoi des archives de la premi\u00e8re guerre mondiale sont mises en sc\u00e8ne<\/a>\u00a0&#8211; Le Monde (5&rsquo;32\u00a0\u00bb)<\/p>\n<p style=\"text-align: center\"><strong>LE CINEMA SOVIETIQUE: Serguei Eisenstein<\/strong><\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/edu.ge.ch\/site\/plancinema\/wp-content\/uploads\/sites\/37\/2016\/08\/em-october.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1943\" src=\"https:\/\/edu.ge.ch\/site\/plancinema\/wp-content\/uploads\/sites\/37\/2016\/08\/em-october-228x300.jpg\" alt=\"em-october\" width=\"228\" height=\"300\" \/><\/a><\/p>\n<p><span style=\"font-size: small\"><span style=\"font-family: 'American Typewriter', monospace\">\u00a0\u00a0\u00bb\u00a0<\/span><span style=\"font-family: Arial, serif\"><i>De tous les arts, le cin\u00e9ma est pour nous le <\/i><\/span><i>plus important\u00a0\u00bb. \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/i>\u00a0L\u00e9nine<\/span><\/p>\n<p align=\"LEFT\"><span style=\"color: #000000\"><span style=\"font-family: 'Arial Unicode MS', serif\"><span style=\"font-size: medium\"><span style=\"font-family: Arial, serif\"><span style=\"font-size: small\"><i>\u00ab<\/i><\/span><\/span><span style=\"font-size: small\"><i>\u00a0Le fait que, jusqu&rsquo;ici, nous n&rsquo;ayons pas mis la main sur le cin\u00e9ma, \u00e9crivait L\u00e9on Trotsky en 1923, prouve \u00e0 quel point nous sommes maladroits, incultes, pour ne pas dire stupides. Le cin\u00e9ma est un instrument qui s&rsquo;impose de lui-m\u00eame, le meilleur des instruments de propagandes\u00a0\u00bb (&#8230;) Ces expressions sont r\u00e9v\u00e9latrices de la relation que ces<\/i><\/span><i> <\/i><span style=\"font-size: small\"><i>dirigeants entendent \u00e9tablir avec le cin\u00e9ma (&#8230;) \u00ab\u00a0Le cin\u00e9ma doit \u00eatre un contrepoids \u00e0 l&rsquo;attrait de l&rsquo;alcool, de la religion (&#8230;) La salle de cin\u00e9ma doit remplacer le bistrot et l&rsquo;\u00e9glise, \u00eatre un support \u00e0 l&rsquo;\u00e9ducation des masses\u00a0\u00bb \u00a0 \u00a0 \u00a0 \u00a0<\/i>L\u00e9on\u00a0Trotsky<\/span><\/span><\/span><\/span><\/p>\n<p align=\"RIGHT\"><span style=\"color: #000000\"><span style=\"font-family: Arial, serif\"><span style=\"font-size: small\"><i>Cit\u00e9 par Marc Ferro, Cin\u00e9ma et Histoire, p.140<\/i><\/span><\/span><\/span><\/p>\n<p align=\"CENTER\"><span style=\"color: #000000\"><span style=\"font-family: 'Arial Unicode MS', serif\"><span style=\"font-size: small\"><span style=\"font-family: Arial, serif\"><i>Conscient de l&rsquo;immense influence et du pouvoir de propagande du <\/i><\/span><i>cin\u00e9ma, des trains, dont les wagons sont transform\u00e9s en salle de projection, sillonnent la Russie tout enti\u00e8re pendant la guerre civile de 1918-1920.<\/i><\/span><\/span><\/span><\/p>\n<p align=\"CENTER\"><span style=\"color: #000000\"><span style=\"font-family: 'Arial Unicode MS', serif\"><span style=\"font-size: small\"><span style=\"font-family: Arial, serif\"><i>Les films projet\u00e9s pr\u00e9sentaient des informations, des messages <\/i><\/span><i>id\u00e9ologiques communistes, et distillaient \u00e0 une population illettr\u00e9e \u00e0 90\u00a0% des renseignements pratiques comme par exemple la d\u00e9monstration de m\u00e9thodes de travail plus efficaces&#8230; Mais la v\u00e9ritable apparition d&rsquo;un cin\u00e9ma sovi\u00e9tique se fait au cours des ann\u00e9es 1920.<\/i><\/span><\/span><\/span><\/p>\n<p style=\"text-align: right\" align=\"CENTER\">Auzel , Dominique, Le Cin\u00e9ma, Les essentiels, \u00e9d. Milan, Toulouse, 2004 \/ p. 16<\/p>\n<p align=\"CENTER\"><strong><span style=\"color: #000000\"><span style=\"font-family: Times-Roman, serif\"><span style=\"font-size: x-large\">Serge\u00ef Eisenstein, des films :<\/span><\/span><\/span><\/strong><\/p>\n<p align=\"CENTER\">Exemple de foule, \u00ab\u00a0Le cuirass\u00e9 Potemkine\u00a0\u00bb<\/p>\n<p align=\"CENTER\"><a href=\"https:\/\/www.dailymotion.com\/video\/xffmkn\" target=\"_blank\" rel=\"noopener\">Extrait<\/a> (1905 \/ film de 1925)<\/p>\n<p><em><strong>La gr\u00e8ve<\/strong><\/em>\u00a0 (1925) (slaughter scene)<\/p>\n<p><iframe loading=\"lazy\" title=\"Strike \/ Stachka - Sergei Eisenstein - 1925  (slaughter scene)\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/jWiDciPuSW4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><em><strong>La gr\u00e8ve<\/strong><\/em> &#8211; film entier<\/p>\n<p><iframe loading=\"lazy\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/4rZaROa45x8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><em><strong>Octobre<\/strong><\/em>\u00a0 (1927) (voir l&rsquo;introduction)<\/p>\n<p><iframe loading=\"lazy\" title=\"Sergei Eisenstein: October - Ten Days That Shook the World (1928)\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/tQ9GCi4Gjso?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong><em>La ligne g\u00e9n\u00e9rale<\/em><\/strong>\u00a0 (1929) &#8211; Sc\u00e8ne du partage<\/p>\n<p><iframe loading=\"lazy\" title=\"Ligne g\u00e9n\u00e9rale extrait 2- Le partage\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/bHeyk_oX29M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p align=\"LEFT\"><span style=\"color: #000000\"><span style=\"font-family: 'Arial Unicode MS', serif\"><span style=\"font-size: small\"><span style=\"font-family: Arial, serif\"><i>Dans l\u2019Union Sovi\u00e9tique des ann\u00e9es 1920, le cin\u00e9ma est <\/i><\/span><i>mobilis\u00e9 comme un \u00e9l\u00e9ment de propagande et d\u2019\u00e9veil de conscience des masses. Il faut faire comprendre et aimer la r\u00e9volution.<\/i><\/span><\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"color: #000000\"><span style=\"font-family: 'Arial Unicode MS', serif\"><span style=\"font-size: small\"><span style=\"font-family: Arial, serif\"><i>Les h\u00e9ros de l\u2019histoire et du film qui la reconstitue ne <\/i><\/span><i>sont plus les individus auxquels les spectateurs peuvent s\u2019identifier, mais les masses d\u2019ouvriers, de marins, de foule, que le cin\u00e9aste fait \u00e9voluer et jouer sur l\u2019\u00e9cran gr\u00e2ce aux plans de visages, de corps et d\u2019objets<\/i><\/span><\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"color: #000000\"><span style=\"font-family: 'Arial Unicode MS', serif\"><span style=\"font-size: small\"> <span style=\"font-family: Arial, serif\">(De Baecque, Antoine, Histoire et Cin\u00e9ma, Les petits cahiers, Cahiers du Cin\u00e9ma, CNDP, Paris, 2008, 96 p.\/ \u00a0pp. 9-11)<\/span><\/span><\/span><\/span><\/p>\n<p style=\"text-align: center\" align=\"LEFT\"><strong>LE CINEMA NAZI:<\/strong><\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/edu.ge.ch\/site\/plancinema\/wp-content\/uploads\/sites\/37\/2016\/08\/LeTriomphe_croixgamm\u00e9e.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1945\" src=\"https:\/\/edu.ge.ch\/site\/plancinema\/wp-content\/uploads\/sites\/37\/2016\/08\/LeTriomphe_croixgamm\u00e9e-300x182.jpg\" alt=\"LeTriomphe_croixgamm\u00e9e\" width=\"300\" height=\"182\" \/><\/a><\/p>\n<p><span style=\"color: #000000\"><span style=\"font-family: Times-Roman, serif\"><span style=\"font-size: x-large\">Leni Riefenstahl<\/span><\/span><\/span><\/p>\n<p><strong><em>\u00a0Le Triomphe de la Volont\u00e9<\/em>\u00a0<\/strong>\u00a0(1935) Congr\u00e8s de Nuremberg du NSDAP de 1934<\/p>\n<p><a href=\"https:\/\/archive.org\/details\/TriumphOfTheWillgermanTriumphDesWillens\">Cliquez ici pour le film<\/a>\u00a0( en anglais)\u00a0le discours \u00e0 la jeunesse \u00a0(44&rsquo;20 \u00e0 50&rsquo;20\u00a0\u00bb)<\/p>\n<p>Extrait en fran\u00e7ais (incomplet): le discours \u00e0 la jeunesse \u00e0 la 44&prime; (+ 3&rsquo;30\u00a0\u00bb)<\/p>\n<p><a href=\"https:\/\/www.dailymotion.com\/video\/x1k8yj8\">Cliquez ici<\/a> (plus disponible)<\/p>\n<p>\u202a<strong>Supervis\u00e9 par Joseph Goebbels: Le juif S\u00fcss <\/strong>(1940)<\/p>\n<p>Les 4 fondus enchain\u00e9 du <em>Juif S\u00fcss<\/em><\/p>\n<p><iframe loading=\"lazy\" title=\"Les 4 fondus enchain\u00e9 du Juif S\u00fcss\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/AXKiCTMIlu8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong>Le juif \u00e9ternel<\/strong> (1940) Supervis\u00e9 par Joseph Goebbels, r\u00e9alis\u00e9 par Fritz Hippler.<\/p>\n<p><a href=\"https:\/\/vimeo.com\/471712318\" target=\"_blank\" rel=\"noopener\">Cliquez ici pour un extrait <\/a>(8&rsquo;42)<\/p>\n<p>(<a href=\"https:\/\/archive.org\/details\/OUTDerEwigeJudeDeutscheDokumentationVon1940YouTube360p\">Cliquez ici<\/a> (sur login) (extrait de 15&rsquo;15 \u00e0 20&rsquo;26))<\/p>\n<p style=\"text-align: center\"><strong>LES ETATS-UNIS<\/strong><\/p>\n<p style=\"text-align: center\"><strong><em>\u00a0<a href=\"https:\/\/edu.ge.ch\/site\/plancinema\/wp-content\/uploads\/sites\/37\/2016\/08\/why-we-fight-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1946\" src=\"https:\/\/edu.ge.ch\/site\/plancinema\/wp-content\/uploads\/sites\/37\/2016\/08\/why-we-fight-2-300x204.jpg\" alt=\"why-we-fight-2\" width=\"300\" height=\"204\" \/><\/a><\/em><\/strong><\/p>\n<p><a href=\"https:\/\/www.dailymotion.com\/video\/x26d973\" target=\"_blank\" rel=\"noopener\">Education for death &#8211; VOSTFR<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=FQqCeEG5hs0\" target=\"_blank\" rel=\"noopener\"><em>Education for Death<\/em> &#8211; Walt Disney<\/a>\u00a0\u00a0WWII Propaganda Cartoon (janvier 1943)<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/edu.ge.ch\/site\/plancinema\/wp-content\/uploads\/sites\/37\/2016\/08\/education-for-death-c2a9-walt-disney.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1928 aligncenter\" src=\"https:\/\/edu.ge.ch\/site\/plancinema\/wp-content\/uploads\/sites\/37\/2016\/08\/education-for-death-c2a9-walt-disney-300x224.jpg\" alt=\"education-for-death-c2a9-walt-disney\" width=\"300\" height=\"224\" \/><\/a><\/p>\n<p><em>Donald Duck der Nazi<\/em> (musique jusqu&rsquo;\u00e0 1&rsquo;30\u00a0\u00bb)<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=kzH1iaKVsBM\" target=\"_blank\" rel=\"noopener\">Cliquez ici pour le<\/a><a href=\"https:\/\/www.youtube.com\/watch?v=kzH1iaKVsBM\" target=\"_blank\" rel=\"noopener\">\u00a0dessin anim\u00e9<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/edu.ge.ch\/site\/plancinema\/wp-content\/uploads\/sites\/37\/2016\/08\/Auschwitz.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1947\" src=\"https:\/\/edu.ge.ch\/site\/plancinema\/wp-content\/uploads\/sites\/37\/2016\/08\/Auschwitz-300x200.jpg\" alt=\"Auschwitz\" width=\"300\" height=\"200\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center\"><span style=\"color: #000000\"><span style=\"font-family: Times-Roman, serif\"><span style=\"font-size: x-large\"><strong>LE CINEMA D&rsquo;AUTEUR:<\/strong> <\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000\"><span style=\"font-family: Times-Roman, serif\"><span style=\"font-size: x-large\">Alain Resnais, deux films:<\/span><\/span><\/span><\/p>\n<p><em><span style=\"color: #000000\"><span style=\"font-family: Times-Roman, serif\"><span style=\"font-size: x-large\">Nuit et Brouillard\u00a0<\/span><\/span><\/span><\/em><span style=\"color: #000000\"><span style=\"font-family: Times-Roman, serif\"><span style=\"font-size: x-large\">(1956)<\/span><\/span><\/span><\/p>\n<p>https:\/\/m.ok.ru\/video\/3109525523078<\/p>\n<p><em><span style=\"color: #000000\"><span style=\"font-family: Times-Roman, serif\"><span style=\"font-size: x-large\">Les statues meurent aussi\u00a0<\/span><\/span><\/span><\/em><span style=\"color: #000000\"><span style=\"font-family: Times-Roman, serif\"><span style=\"font-size: x-large\">(1953)<\/span><\/span><\/span><\/p>\n<p><iframe loading=\"lazy\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/OoyCXA8eTf0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"color: #000000\"><span style=\"font-family: Times-Roman, serif\"><span style=\"font-size: x-large\">Fritz Lang &#8211;\u00a0<i>Metropolis\u00a0<\/i>(1927)<\/span><\/span><\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Metropolis - Fritz Lang - Les deux mondes : la cit\u00e9 des travaillleurs et le &quot;Club des Fils&quot;\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/nqvLtpcNfBk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Extrait de Metropolis. Les deux mondes: la cit\u00e9 des travailleurs et le \u00ab\u00a0club des fils\u00a0\u00bb<\/p>\n<p><span style=\"color: #000000\"><span style=\"font-family: Times-Roman, serif\"><span style=\"font-size: x-large\">Charlie Chaplin &#8211; Le discours du barbier (<em>Le Dictateur<\/em>, 1940)<\/span><\/span><\/span><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=p_79XkFw8AY\" target=\"_blank\" rel=\"noopener\">En VOSTF<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=0xCM_pJw-lE\" target=\"_blank\" rel=\"noopener\">En Fran\u00e7ais<\/a><\/p>\n<p style=\"text-align: center\">\u00a0Question d&rsquo;historiographie:\u00a0<a href=\"https:\/\/edu.ge.ch\/site\/plancinema\/wp-content\/uploads\/sites\/37\/2015\/10\/Histoire_et_Cin\u00e9ma_schema.pdf\">Histoire_et_Cin\u00e9ma<\/a><\/p>\n<p style=\"text-align: center\">Power point du cours:\u00a0<a href=\"https:\/\/edu.ge.ch\/site\/plancinema\/wp-content\/uploads\/sites\/37\/2016\/08\/Histoire-Cin\u00e9ma_Final2015.odp\">Histoire &amp; Cin\u00e9ma<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ces vid\u00e9os et ces images viennent ajouter quelques exemples \u00e0 un cours sur l&rsquo;Histoire et le Cin\u00e9ma. &nbsp; D.W. Griffith: Birth of a nation\u00a0(1916) Birth of a (racist) nation \u00a0by Cultureremix1: Birth of a nation,\u00a0version de 2016.\u00a0Acteur et r\u00e9alisateur: Nate Parker La Premi\u00e8re Guerre mondiale: L&rsquo;H\u00e9ro\u00efque Cin\u00e9matographe\u00a0R\u00e9al\u00a0: Agn\u00e8s de Sacy,\u00a0Laurent Veray \u00a0(Arte 2005) Pourquoi des &#8230; <a title=\"Histoire et Cin\u00e9ma &#8211; extraits de films\" class=\"read-more\" href=\"https:\/\/edu.ge.ch\/site\/agora-stael\/histoire\/histoire-et-cinema\/histoire-politique-cinema\/\" aria-label=\"En savoir plus sur Histoire et Cin\u00e9ma &#8211; extraits de films\">Lire la suite<\/a><\/p>\n","protected":false},"author":1656,"featured_media":0,"parent":1957,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1920","page","type-page","status-publish"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Histoire et Cin\u00e9ma - extraits de films - Agora Sta\u00ebl<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/edu.ge.ch\/site\/agora-stael\/histoire\/histoire-et-cinema\/histoire-politique-cinema\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Histoire et Cin\u00e9ma - extraits de films - Agora Sta\u00ebl\" \/>\n<meta property=\"og:description\" content=\"Ces vid\u00e9os et ces images viennent ajouter quelques exemples \u00e0 un cours sur l&rsquo;Histoire et le Cin\u00e9ma. &nbsp; D.W. Griffith: Birth of a nation\u00a0(1916) Birth of a (racist) nation \u00a0by Cultureremix1: Birth of a nation,\u00a0version de 2016.\u00a0Acteur et r\u00e9alisateur: Nate Parker La Premi\u00e8re Guerre mondiale: L&rsquo;H\u00e9ro\u00efque Cin\u00e9matographe\u00a0R\u00e9al\u00a0: Agn\u00e8s de Sacy,\u00a0Laurent Veray \u00a0(Arte 2005) Pourquoi des ... 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