{"id":1066,"date":"2015-11-20T14:37:43","date_gmt":"2015-11-20T13:37:43","guid":{"rendered":"https:\/\/edu.ge.ch\/site\/plancinema\/?page_id=1066"},"modified":"2015-11-20T14:37:43","modified_gmt":"2015-11-20T13:37:43","slug":"test-du-jour","status":"publish","type":"page","link":"https:\/\/edu.ge.ch\/site\/agora-stael\/filmar-2015\/test-du-jour\/","title":{"rendered":"Bibliographie"},"content":{"rendered":"

Le monde am\u00e9rindien au cin\u00e9ma avec le Festival FILMAR en Am\u00e9rica Latina<\/h3>\n

Pour les dossier distribu\u00e9s :<\/strong><\/h4>\n

HENNEBELLE, Guy (directeur de recherches), Les Cin\u00e9mas de l’Am\u00e9rique latine : Pays par pays, l’histoire, l’\u00e9conomie, les structures, les auteurs, les oeuvres (Le Cin\u00e9ma et son histoire), Lherminier, Paris, 1981.<\/p>\n

MATEUS MORA Ang\u00e9lica Maria, Cin\u00e9ma et audiovisuel latinos-am\u00e9ricains \u2013 L’Indien : images et conflits, L’Harmattan, 2012<\/p>\n

LAPREVOTTE, Gilles & ROCHE, Thierry, Indian’s song – Des indiens d’Hollywood au cin\u00e9ma des Indiens, Festival international d’Amiens, Yellow now, 2010.<\/p>\n

PAZ OBREGON ITURRA, Jimena & PINEDA FRANCO Adela, Cin\u00e9ma et turbulences politiques en Am\u00e9rique latine, Presses universitaires de Rennes, 2012.<\/p>\n

GALEANO, Eduardo, Les veines ouvertes de l’Am\u00e9rique latine, Plon, 1971.<\/p>\n

Ouvrages de r\u00e9f\u00e9rence:<\/strong><\/h4>\n

BRIAND, Dominique, Enseigner l’Histoire avec le Cin\u00e9ma, Sc\u00e9r\u00e9n, 2010<\/p>\n

PARANAGUA, Paulo Antonio, Le cin\u00e9ma en Am\u00e9rique Latine : le miroir \u00e9clat\u00e9 \u2013 historiographie et comparatisme, L’Harmattan, Paris, 2000<\/p>\n

SINARDET, Emmanuelle (coordinatrice), Histoire et soci\u00e9t\u00e9s de l’Am\u00e9rique latine, coll. Cinema et Histoire, L’Harmattan, 2002<\/p>\n

Articles:<\/strong><\/h4>\n

BRAUCOURT, Guy, \u00ab Ukamau et Yawar Mallku \u2013 entretien avec Jorge Sanjines \u00bb, in Cin\u00e9ma 70 \u2013 le guide du spectateur, Paris, 1970<\/p>\n

DEHEE, Yannick, \u00ab\u00a0Hollywood: les dessous du r\u00eave am\u00e9ricain\u00a0\u00bb in Les collections de l’Histoire, no 56.<\/p>\n

GRANT, Jacques & FROT-COUTAZ, G\u00e9rard, \u00ab L’ennemi principal \u2013 un film de Jorge Sanjines et le groupe Ukamau \u00bb, in Cin\u00e9ma 75 \u2013 le guide du spectateur, Paris, 1975<\/p>\n

REZA, Jose Luis, \u00ab Regard sur le cin\u00e9ma indig\u00e8ne. Autorepr\u00e9sentation et droit \u00e0 l’audiovisuel \u00bb, in Cin\u00e9mas d’Am\u00e9rique latine, N\u00b0 21\/2013,1996, Presses universitaires du Mirail.<\/p>\n

ROCHA, Glauber, \u00ab Dossier : l\u2019\u00c9tat et le cin\u00e9ma \u00bb, in Cin\u00e9mas d’Am\u00e9rique latine, No 4, 1996, Presses universitaires du Mirail.<\/p>\n

Pour le cin\u00e9ma dans l’enseignement:<\/strong><\/h4>\n

BERGALA, Alain, L’hypoth\u00e8se cin\u00e9ma \u2013 Petit trait\u00e9 de transmission du cin\u00e9ma \u00e0 l’\u00e9cole et ailleurs, Gallimard, Petite biblioth\u00e8que des Cahiers du cin\u00e9ma, 2006 (2002 pour la premi\u00e8re \u00e9dition).<\/p>\n

BRIAND, Dominique, Enseigner l’Histoire avec le Cin\u00e9ma, Sc\u00e9r\u00e9n, 2010<\/p>\n

CONDE M., Fonck V., VERVIER A., A l’Ecole du Cin\u00e9ma \u2013 Exploiter le film dans l’enseignement secondaire, \u00e9d. De Boeck & Larcier, coll.Sciences humaines, Bruxelles, 2006<\/p>\n

DANEY, Serge, La loi du marcheur, d’apr\u00e8s Itin\u00e9raire d’un cin\u00e9-fils, entretiens avec R\u00e9gis Debray, Les Solitaires Intempestifs, Besan\u00e7on, 2001<\/p>\n

SCHEFER, Jean-Louis, L’homme ordinaire du cin\u00e9ma, Gallimard, Petite biblioth\u00e8que des Cahiers du cin\u00e9ma, 1997.<\/p>\n

Pour un cours \u00ab Histoire et Cin\u00e9ma \u00bb:<\/strong><\/h4>\n

Auzel , Dominique, Le Cin\u00e9ma, Les essentiels, \u00e9d. Milan, Toulouse, 2004.<\/p>\n

Beylie, Claude, Pinturault, Jacques, Les Films-Cl\u00e9s du Cin\u00e9ma, Larousse, Bordas, Paris, (1978), 2006, 312 p.<\/p>\n

Boss\u00e9no, Christian-Marc, Gerstenkorn, Jacques, Hollywood, l\u2019Usine \u00e0 R\u00eaves, D\u00e9couvertes Gallimard, Evreux, 1992, 176 p.<\/p>\n

Burch, No\u00ebl, Revoir Hollywood \u2013 la Nouvelle Critique anglo-am\u00e9ricaine, Fac Cin\u00e9ma, Nathan Universit\u00e9, France, 1993, 256 p.<\/p>\n

Chansel, Dominique, L’Europe \u00e0 l’\u00e9cran : le cin\u00e9ma et l’enseignement de l’histoire, Editions du Conseil de l’Europe, coll. Apprendre et enseigner l’histoire de l’Europe du 20e si\u00e8cle, Strasbourg, 2001<\/p>\n

Dadoun, Roger, Cin\u00e9ma, Psychanalyse et Politique, Ed. S\u00e9guier, Paris, 2000, 366 p.<\/p>\n

De Baecque, Antoine, Histoire et Cin\u00e9ma, Les petits cahiers, Cahiers du Cin\u00e9ma, CNDP, Paris, 2008, 96 p.<\/p>\n

De Baecque, Antoine, Delage, Christian, De l’histoire au cin\u00e9ma, Editions complexe<\/p>\n

Delage, Christian, Guigueno, Vincent, L’historien et le film, Gallimard, Folio histoire, 2004<\/p>\n

Ferro, Marc, Analyse de film, analyse de soci\u00e9t\u00e9s, Classiques Hachette, coll. P\u00e9dagogies pour notre temps, Paris, 1975.<\/p>\n

Ferro, Marc, Cin\u00e9ma et Histoire, Gallimard, 1993 (1977 pour la premi\u00e8re \u00e9dition)<\/p>\n

Gauthier, Brigitte, Histoire du Cin\u00e9ma Am\u00e9ricain, Hachette Sup\u00e9rieur, Paris, 2004, 160 p.<\/p>\n

Pecha, Laurent, La Censure cin\u00e9matographique aux Etats-Unis, Dixit, Paris, 2000, 192 p.<\/p>\n

Encyclop\u00e9die Alpha du Cin\u00e9ma, tome 4 : le Cin\u00e9ma de Guerre et Historique, Ed. Grammont SA, Lausanne, Paris, Bruxelles, 1975.<\/p>\n

Hollywood, 1927-1941 \u2013 La Propagande par les R\u00eaves ou le Triomphe du Mod\u00e8le Am\u00e9ricain, Ed. Autrement, Paris, 1991, 262 p.<\/p>\n","protected":false},"excerpt":{"rendered":"

Le monde am\u00e9rindien au cin\u00e9ma avec le Festival FILMAR en Am\u00e9rica Latina Pour les dossier distribu\u00e9s : HENNEBELLE, Guy (directeur de recherches), Les Cin\u00e9mas de l’Am\u00e9rique latine : Pays par pays, l’histoire, l’\u00e9conomie, les structures, les auteurs, les oeuvres (Le Cin\u00e9ma et son histoire), Lherminier, Paris, 1981. MATEUS MORA Ang\u00e9lica Maria, Cin\u00e9ma et audiovisuel latinos-am\u00e9ricains … Lire la suite<\/a><\/p>\n","protected":false},"author":1656,"featured_media":0,"parent":739,"menu_order":28,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1066","page","type-page","status-publish"],"yoast_head":"\nBibliographie - Agora Sta\u00ebl<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/edu.ge.ch\/site\/agora-stael\/filmar-2015\/test-du-jour\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bibliographie - Agora Sta\u00ebl\" \/>\n<meta property=\"og:description\" content=\"Le monde am\u00e9rindien au cin\u00e9ma avec le Festival FILMAR en Am\u00e9rica Latina Pour les dossier distribu\u00e9s : HENNEBELLE, Guy (directeur de recherches), Les Cin\u00e9mas de l’Am\u00e9rique latine : Pays par pays, l’histoire, l’\u00e9conomie, les structures, les auteurs, les oeuvres (Le Cin\u00e9ma et son histoire), Lherminier, Paris, 1981. 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